Hi, Tako
You said:
> If your "falsetto" is something upon which you may crescendo, then yes, > I'd call that a form of head voice. The mechanics of true falsetto > precludes the kind of control over dynamics which exists in other > registers.
but I'd like to know if my tentative unifying theory below makes any sense:
> > Given that, I was thinking the other day: light tenors ( supposedly, with > > cords like mine ) might be entitled to reach that 'quasi-falsetto' register > > that women have, the same kind of 'falsetto' voice that Mike says women use > > as supposedly their head voices and the lighter form of head voice you and > > Lloyd agreed to exist.
Does it?
Thanks,
Caio Rossi
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