"Lloyd W. Hanson" wrote:
> Thanks for the reply. I basically do not disagree with your
> analysis. The two forms of head voice you describe I have found in
a
> variety of male singers. And your description of the functional
> difference between these two forms of head voice also makes sense.
>
> I have also found that most singers with this vocal tonal variety
> have difficulty changing from the lighter form of head voice into
the
> heavier form of head voice and back again in most parts of that
> range. It takes careful training to give them eventual control of
> these two modes within the same vocal range. I have also found
that
> each of these singers is very aware that their falsetto voice has
yet
> another vocal configuration with quite a different sound and feel
> when compared to the two forms of head voice.
I've always thought that falsetto is that girlish voice of mine
(pretty good sounding) which I sang with through my puberty. I can
get with it as high as I would get when I was a boy soprano. So, what
is falsetto then, if that isn't?
Still, what's the voice that for instance Carreras is using very much
singing his high pianissimo notes? Is it the normal tenor head voice
or is it a kind of lighter form of head voice?
Yes, I'm a bit confused...
-Martti Savijoki -
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