Dear Ed and Vocalisters:
There are many, many books which extoll the virtues of opera singers and, in the process, attempt to categorize them. The irony of all this is that few of the singers care to be so categorized and the whole idea of a category for a singer is of little value. In opera, singers are selected for roles that dramatically and vocal fit their voices but these very roles often do not fit into a particular voice category. Consequently the powers-that-be in opera casting must make decisions based more on the singers abilities for that particular role rather than the singers "fach".
Fachs were developed to categorize singers in order to protect them from ignorant or unreasonable opera impresarios or conductors. The fach system is in place only in Germany, to my knowledge. It may be referred to in other countries but I am not aware that it is given binding consideration in casting roles. And, according to some American singers who have had careers in Germany, many of the German houses are now allowed to categorize singers simply in Soprano, Alto, Tenor or Bass.
Singers would prefer to be acknowledged as artists who are capable of lifting opera roles to the level of great art. None would like to be cast in a roles for which they are inadequate either vocally or dramatically although this does happen. Considerations such as voice size, range, flexibility, etc as well as dramatic capabilities are a necessary part of the process of casting singers for roles but other considerations are also involved such as other members of the cast, size of the performing venue, etc. Such considerations are not a necessary part of the enjoyment of singers by the audience unless the singers are clearly miscast.
Opera is often treated as if it were a sport. We frequently enjoy deciding which quarterback would be best with which team and we often discuss the relative merits of the strengths and abilities of athletes. We do the same for singers in opera. It all adds to the enjoyment of the sport or the art as sport. But it seldom has much value to the idea of opera as art. -- Lloyd W. Hanson
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