I have been singing in my chest voice all the way up to C5. I am not sure how
to flip up to head voice or where to make the transition. This makes the
pitches loud and stacatto, and I guess it causes stress on the voice. You
mentioned using the quality of sound that one uses in their speaking voice and I
agree, if the vocalist has proper placement. Maria Callas had a beautiful voice
to me, as if she were just using her speaking voice yet singing with ease.
Julie
In Response to :
Message: 10
Date: Sat, 21 Sep 2002 14:09:40 -0500
From: "Lloyd W. Hanson" <lloyd.hanson@n...>
Subject: Re: Head to Chest transition.
>Dear Reg and Mary Beth and Vocalisters:
Mary Beth wrote:
>There are some defineable boundaries for where chest, mix, head voice occurs
>for all voices. The point of reference for all voices should be to maintain
>the quality and identity they have in their speaking voice. If they use a
>different voice for singing, they are inevitably setting themselves up for
>vocal difficulties. Developing that transition point between chest/head voice
>is difficult for all of us, however, the transition happens at the same place
>irregardless of ascending/descending scale or style.
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