Then you have missed the point Mike that tonal continuum,
as with every aspect of good singing, is a continuous process.
:) I don't know how old you are Mike but from what you write
it seems you have serious doubts as to your comprehension
as well. Not a criticism just a reasonable expectation.
Next question...who knows what support is? Get the point?
Some may never know.
As a completely different observation I watched a young lady
gasp her way through an aria the other evening with her upper
chest cage pumping in and out as she went. She made a
reasonable sound but unless I've been reading the wrong
books, her technique was little short of dangerous. My own
experience also tells me that a man cannot expect to sing
using that same technique so observation is highly
educational and once again a life-time study.
I'm so pleased you informed me it was NOT an insult.
At 10:08 AM 21/07/02 -0400, you wrote:
>reg said:
>
> "As one
>who has striven all his vocal life to smooth this chest
>to head transition, I have found it goes hand in glove with
>efficient technique."
>
>reg,
>
> if you new what efficient technique was, it wouldn't have taken your
>whole life to smooth out that transition (not an insult, just an
>observation).
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