Ingo, I too am a baritone, who just can't quite squeeze that C, except in falsetto (I know the f word means different things to different singers). My vocalises tantalisingly stop my head tone at B, and so I have played with some tenor repertoire, but I think that the optional and apocryphal high notes are expected by just about everyone nowadays. I think playing with this repertoire (and who hasn't wanted to sing Che gelida manina?) ought to teach us things about how to sing in the upper ranges of our own voices, but for goodness' sake don't hurt yourself! Even Bach, whose tenor writing usually only goes to a g (there are some As and even a Bb, but these are exceptional) remains in such a high range that it's tough even for 'real' tenors to stay there for long. Some repertoire is actually easier for me in a higher key (some Schubert, notoriously) because I can then set a more or less pure head tone and not have to negotiate between resonances - a lot of Schubert lies across the passaggio and has awkward vowel changes, which *can* be mastered, but it's not easy (The other day a spent almost a half hour working on just the first line of "Die Wetterfahne" and it still needs more work!). Also it has become increasingly clear to me that I have modelled my handling of vowels, even in German repertoire, on that of Pavarotti, who in his turn seems to come out of Alfredo Kraus. We can learn a lot from those tenors. Still a baritone, john
At 02:26 AM 5/23/00 -0700, you wrote: >Hi all, ... >Completely unrelated question -- how many tenor arias actually require >the high C? I was digging through sheet music yesterday and noticed >that many popular arias only go up to A or B. I'm a high baritone and >my A is fairly solid, so the thought of being able to sing a few tenor >arias just for the fun of it intrigues me. > >Thank you for the help. > >Ingo > > > >__________________________________________________ > >------------------------------------------------------------------------ >Failed tests, classes skipped, forgotten locker combinations. >Remember the good 'ol days >http://click.egroups.com/1/4053/5/_/843894/_/959073997/ >------------------------------------------------------------------------ > >To unsubscribe from this group, send an email to: >vocalist-temporary-unsubscribe@o... > > > > John Blyth Baritono robusto e lirico Brandon, Manitoba, Canada
|
| |