In a message dated 12/12/2000 11:14:48 AM Pacific Standard Time, buzzcen@a... writes: buzzcen@a... writes:
<< Richard Miller subscribes to this classification of voices by the first passagio point. >>
I personally think that is way too rigid of a method. I, for one, can sing my primary passagio in MANY different ways, not only depending on the literature, but depending on the day. Voice classification, in my opinion, is far more dependent on comfort of tessitura, the perfect example being dramatic mezzos vs. dramatic sopranos. Similiar breaks, similiar vocal color, if the mezzo has an extension, it comes down to how comfortable she is in the tessitura. TinaO
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