wim,
thank you for your response. in part, you wrote:
<< I don't think Don studied any female voices using classical male resonance strategies (with a low larynx). That would interest me too, since I'm convinced that it must be possible for a robust female voice to sing in tenor head voice (using 'heavy' vocal fold vibration, low larynx and second formant tuning), sort of the opposite of a countertenor ;) >>
i'm just guessing but, i believe this is probably the aim of speech level instruction. i can't imagine that it would be limited to a robust female voice as it seems to be more a matter of method rather than meat.
thanks, mike
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