Vocalist.org archive


From:  "Lloyd W. Hanson" <lloyd.hanson@n...>
"Lloyd W. Hanson" <lloyd.hanson@n...>
Date:  Tue Dec 5, 2000  6:12 pm
Subject:  [vocalist-temporary] Re: BAROQUE TENOR


Tako:

Thanks for the reply. I basically do not disagree with your
analysis. The two forms of head voice you describe I have found in a
variety of male singers. And your description of the functional
difference between these two forms of head voice also makes sense.

I have also found that most singers with this vocal tonal variety
have difficulty changing from the lighter form of head voice into the
heavier form of head voice and back again in most parts of that
range. It takes careful training to give them eventual control of
these two modes within the same vocal range. I have also found that
each of these singers is very aware that their falsetto voice has yet
another vocal configuration with quite a different sound and feel
when compared to the two forms of head voice.

--
Lloyd W. Hanson, DMA
Professor of Voice, Pedagogy
School of Performing Arts
Northern Arizona University
Flagstaff, AZ 86011


  Replies Name/Email Yahoo! ID Date Size
7351 Re: BAROQUE TENOR Tako Oda   Tue  12/5/2000   2 KB
7383 vocal registers: was: Re: BAROQUE TENOR Martti Savijoki   Wed  12/6/2000   3 KB
7386 Re: vocal registers: was: Re: BAROQUE TENOR Lloyd W. Hanson   Wed  12/6/2000   2 KB
7387 Re: vocal registers: was: Re: BAROQUE TENOR Takeshi Oda   Wed  12/6/2000   2 KB
7400 Falsetto for Tenors Lloyd W. Hanson   Thu  12/7/2000   2 KB
7421 Falsetto for Tenors Tako Oda   Thu  12/7/2000   2 KB
8091 Re: Memory and Sleep Reg Boyle   Fri  1/5/2001   2 KB
7412 vocal registers: was: Re: BAROQUE TENOR Martti Savijoki   Thu  12/7/2000   2 KB
7425 Re: vocal registers: was: Re: BAROQUE TENOR Tako Oda   Thu  12/7/2000   2 KB

emusic.com