On Fri, 29 Sep 2000, Caio Rossi wrote: > > Considering how many more "pro opera" slots there are out there than > > "10-year pop career" slots, it is actually more probable that one "make > > it" (living wage) in opera than in pop. > > You don't really think so, do you? Remember they make money from licensed > merchandise, posters, etc, too.
When you say "they" we're talking about record executives. There is so much more competition in pop that artists rarely get fair contracts. The percentage of successful opera career-seekers is orders of magnitude higher than of successful pop career-seekers, let's put it that way.
-Tako
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