What do you look for in a good audition? Are you looking mostly >at vocal technique, diction, emotional connectedness >with the song?
Trevor,
All of the above - i.e. the "whole package".
Given that the mechanics of technique (breath management, resonance balance, evenness through the range, vocal ease and freedom, diction, etc.) are all present, I value an truthful, emotionally committed performance. Bring all your ideas to the party and share them!
What is the one thing you especially >like to see in an auditioner? >Any suggestions would be appreciated. > >Trevor > > > > >__________________________________________________ > >------------------------------------------------------------------------ >You can win $1000! >Just one of 1000 great reasons to visit eGroups! >Click here: >http://click.egroups.com/1/2865/3/_/_/_/955555384/ >------------------------------------------------------------------------ > >To unsubscribe from this group, send an email to: >vocalist-temporary-unsubscribe@o...
Elizabeth Blades-Zeller, DMA Assistant Professor of Voice Coordinator of Voice, Director of Opera Heidelberg College - Brenneman Music Hall Tiffin, Ohio 44883
co-author of "Singing With Your Whole Self: The Feldenkrais Method and Voice."
check it out at www.inspirationpress.homestead.com/main.html
"Your capacity to express your brilliance is limited only to the extent of which you have been hurt - or are afraid."
"To accomplish great things, we must not only act, but also dream, not only plan, but also believe."
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