Hi Linda, While we are not allowed to sing translations right now, my college is doing a production of the Magic Flute, in English- the 1951 Shirmer translation, which to me isn't great, but I haven't seen any others. I think our prof just didn't want us doing music we might potentially encounter next semester. Thanks for you comment though. I myself am I big fan of translations. My first opera was a translated version of Madame Butterfly and it was one of the biggest influences in making me become a singer. In my opinion music is music and as long as the text is suitable to the original libretto, I say, TRANSLATE AWAY!
--- Linda Fox <linda@f...> wrote: > Trevor Allen wrote: > > > Thank you all so much for your suggestions. I > have > > already checked out some and they all seem like > > excellent scenes. The only specification on them > is > > that they have to be from an English or American > > opera. Next semester we will do scenes in foreign > > languages, so this semester is confined to > English. > > I think, though it is a good idea to get a study of > English/American > repertoire anyway, that it's a pity you're not > allowed to include good > translations as well. I wonder if this is the same > in most colleges? > > They seem to train students that French, German, > Italian, Russian opera > must be sung in the original language or not at all. > This is not going > to prove to be the case if you follow a performing > career unless it > moves almost immediately into the international > circuit - I would guess > (though I might be wrong, and I'd love to hear if > anyone has any figures > to demonstrate otherwise) that there as as many > professional and > semi-pro companies outside that sphere that do at > least some of their > repertoire in translation, and certainly some of the > leading opera > composers such as Puccini and Wagner held strong > views in favour of > performance in the language of the audience. > > Poor translations are unsingable and make everyone > sound like a > foreigner; good ones can make you believe the music > was written to fit > those words, and such translations do exist. > -- > Linda Fox >
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