On Tue, 5 Sep 2000 14:36:56 RALUCOB wrote:
>the students i find most resistant to this process are men who are >uncomfortable singing in 'falsetto' For example, I have some difficulty trying to sing falsetto. Mine has a very limited range, and I have the tendency to try "adding strength" to it.
But is it useful to use that register? is it better or worse for the other registers of voice?
And, is dangerous trying to "add strength" to falsetto?
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