On Wed, 21 Jun 2000, Dre de Man wrote: > Miller's books, a lyrical tenor mostly has a passagio starting at E4 > sharp and ending at about G4 (eventually sharp) (leggiero E4 and A4), > but many lyrical tenors head voices go up to F5, so that would be more > than an octave.
Many? How many lyric tenors have a workable F5? I can think of two off the top of my head, but I don't think the standard repertoire ever expects higher than C#5...
-Tako
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