Your question is clear to me though rather difficultly to advise
On distance, but I shall try.
The matter is that you should as it is possible "to approach" small language
to a nose closer.
You should do(make) pressure upon the firm sky (area of a nose) as though
from above, in yourselves.
But " to a back wall of a throat you should not "go" to inside mouth.
It - area of your acoustics. You do not climb inside of the piano or a
guitar when
Play on these tools. For that what to avoid " a leaving(care) of a sound in
inside " YOU should
To close lifted (and to not drop) a root of language and the
lowered(omitted) soft sky.
You "are as though teased". After YOU have taken the first note the
subsequent notes as though "drip"
From small language in a breast. A direction of breath - downwards and
forward (as though in a floor).
Probably at you the sound "is filled up" because you change (turn) a
direction of breath.
Breath goes to a breast, you should feel, that your breast (area of a solar
plexus)
Has as though become isolated. As soon as you disconnect a breast a sound to
become unguided and "jumps up".
It is still very important to not overflow itself with air.
Try to make such technology:
1. Through a mouth a mild exhalation.
2. Begin as though " to smell a nose a flower ". A breath through a nose and
as though "connection" of a root of language with the sky.
3 Extraction of a sound as though on a breath. Sensation of a sound
resonance in the field of a nose (the Vocal mask)
4. Keeping "mask" softly connect to a breast. A direction of breath as
though before your nose
The wheel in your party(side) rotates. Breath is included as though into a
nose and leaves a breast already a sound.
As though from a breast you extend a rope (not so thick). If to interrupt
this movement of a wheel,
To turn it(him) back - a sound will leave to a back wall of a throat,
acoustics of the device will be blocked, the root of language will fall
, Small language as though will block an input(entrance) in resonant bosoms
and a sound will be not before you and where that is very deep, complexion
will change only.
I wish successes,
Alexey.
----- Original Message -----
From: <decentefsci@h...>
To: <vocalist-temporary@yahoogroups.com>
Sent: Saturday, February 08, 2003 11:48 PM
Subject: Re: [vocalist] If not head voice,then what?
> --- In vocalist-temporary@yahoogroups.com, "??????? ????????"
> <alexey-mihailov@m...> wrote:
> > Probably, your problems are connected to loss of a resonance in
> the field of
> > a nose.
> > Try keeping a sound as though a nose to connect it(him) to a
> breast.
> > The sensation should be such as though before your nose the bell
> constantly
> > rings.
> > It is not necessary of sensation of a flat, white sound are
> afraid. Having
> > kept you will not test sensation of a mask
> > Difficulties on all range. Sounds need "be "to sung" a nose
> instead of a
> > mouth. At " singing by a mouth " the sound begins
> > " To be filled up to a back wall of a throat is results to deep
> and heavy a
> > sound.
> > At execution(performance) of scales on different vowels the first
> vowel is
> > formed " before a nose "
> > The second on distance of 2 ft from him(it), the third vowel is
> formed even
> > further from a nose.
> > Thus the sound has one direction - only forward.
> > For that that a nose to form a sound it would be necessary to have
> small
> > pressure upon the firm sky
> > On the part of a nose to small "language". Thus the soft sky is
> > lowered(omitted), and pass in head
> > Resonators it is free.
> >
> > I wish Successes,
> >
> > Alexey.
>
>
> Thanks a lot for your reply,Alexey.
>
> You're very right.As i go higher the sound fills the wall in the
> back of my throat.But how practically can i solve this problem?
> I am trying to guide the sound forward but always the same happens.
>
> Thanks again.
> >
>
>
>
>
>
>
>
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