I found that once my technique was sufficiently solid that I *didn't* have
to think about it every minute, I could go ahead and lose myself in the
character. Just think about that old joke about how to get to Carnegie
Hall: practice, practice...
Liz
"With a cheer for Uncle Sammy and another for my mammy, I love-a to sing!"
Elizabeth Finkler
San Jose, California
mightymezzo@h...
http://home.earthlink.net/~mightymezzo
"This would be a better world for children if the parents had to eat the
spinach." --Groucho Marx
>From: "Christine Thomas"
>
>This causes me to think there must be some kind of middle ground where you
>are in character, but are still mainly focused on singing correctly. Is
>this how it feels to you? Any hints or insights? Much appreciated!
>
>****
>
>Karena, I think this is common early in your training. As you get more used
>to everything working, you can relax, knowing it'll just work for you, and
>be able to be more expressive.
>
>
>
>Christine Thomas, Mezzo Soprano
>
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