Vocalist.org archive


From:  "Carol Johnson" <singer49cjohnson@h...>
Date:  Wed Mar 27, 2002  12:53 pm
Subject:  Re: [vocalist] FALSETTO IN CHEST VOICE MODE VERSUS FALSETTO IN HEAD VOICE MODE

What is the URL for the vocallist-temp website?
Thanks
Carol


>From: Greypins@a...
>Reply-To: vocalist-temporary@yahoogroups.com
>To: vocalist-temporary@yahoogroups.com
>Subject: Re: [vocalist] FALSETTO IN CHEST VOICE MODE VERSUS FALSETTO IN
>HEAD VOICE MODE
>Date: Fri, 22 Mar 2002 15:09:20 EST
>
>In a message dated 3/22/2002 1:40:36 PM Eastern Standard Time,
>bjjocelyn@p... writes:
> >
> > Mike, you mentionned pop/metal singers able to reach and sustain high
> > pitches with a lifted larynx, and definitely not sounding falsetto.
>
>bart,
>
> i have loaded a file onto the vocalist-temp. website called 'cornell
>perry bolton'. the file contains examples of three rock/pop singers who
>are
>singing high pitches in a voice that i don't think is falsetto. these
>three
>exhibit something different from what i think robert plant and ian gillam
>did
>which, i think is some kind of hyper falsetto (or, 'turbo-falsetto' as wim
>ritzerfeld called it).
>
> in the examples, cornell's sound is similar to what plant did but, it
>is
>in 'regular' voice. i call it 'regular' as i don't think it meets the
>acoustic requirements to be considered 'head' voice but, i certainly think
>the vocal folds are probably behaving in the same manner as in 'head'
>voice.
> perry is closer to the classical model but, only for one syllable, really
>('arms'). the example from michael bolton is, of course, from 'vesti la
>giubba'. regardless of his stylistic infractions, he exhibits some high
>notes that are remarkably close to the classical model (certainly closer
>than
>any tenor i went to school with).
>
>mike
>
> >
> >
> >
>
>
>
>




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