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From:  John Alexander Blyth <BLYTHE@B...>
Date:  Wed Apr 26, 2000  3:20 pm
Subject:  RE: [vocalist-temporary] RE: I'm all choked up


In all of a long century of recordings of singers there was only one
Callas. I don't even like the timbre of her voice, yet the mere mention of
her name can give me goosebumps, and it is because of her dramatic
intensity, the way she can make you believe that all of this absurd
posturing and drama is worth something. She makes opera a microcosm of
(usually tragic) human existence. She is Woman with all the stops out. How
she does it? Well, if we really knew, perhaps we'd be doing it too, or
maybe it costs too much? This from someone who has only encountered her
through recordings and videos. john


At 05:21 PM 4/25/00 -0400, you wrote:
>And would you describe Callas' performances this way? Just curious.
>
>Laura
>
>-----Original Message-----
>From: John Alexander Blyth [mailto:BLYTHE@B...]
>"We are storytellers who, by the force and conviction of our performance
>evoke an emotional resonance in an observer which is a disciplined and
>aesthetic analogue of the kind of emotion a real-life event might produce.
>ok, i'll stop now. john
>
>
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John Blyth
Baritono robusto e lirico
Brandon, Manitoba, Canada


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1187 Opera done, now for some fun John Alexander Blyth   Wed  4/26/2000   3 KB

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