On Thu, 12 Apr 2001, Patricia M Smith wrote:
> I believe that I addressed this by offering a number of modern composers > in my previous posting addressing this subject (i.e. Steve Reich, > Meredith Monk, etc. & let me add Arvo Part to the list while I'm at it). > My point about symphony orchestras playing music by "rock" bands, which > apparently wasn't clear, was that the style must have been influenced by > classical music or training, otherwise it wouldn't work in both venues. >
I don't know that I agree with you. I think the ability of a certain piece of music to be adapted to another genre reflects much more on the ability of the person doing the adaptation than on the presence or absence of the influence of the adapted-to genre on the original musical creation.
You'll see what I mean when you turn your logic around the other way: take, as an example, the Jimi Hendrix rendition of "The Star Spangled Banner". By your logic, the originator of the drinking song that supplied the melody on which Francis Scott Key set the text of the "Star Spangled Banner" would have had to have been influenced by "acid rock" music as the only explanation for why Hendrix's adaptation of the song to the "acid rock" genre was so effective. By the same token, I doubt that many of the peasants who originated the traditional folk tunes that were later adapted by Vaughan Williams, Percy Grainger, Benjamin Britten, et al were even AWARE of classical music let alone influenced by it.
KM ===== My NEIL SHICOFF Website: http://www.radix.net/~dalila/shicoff/shicoff.html
My Website: http://www.radix.net/~dalila/index.html
----- We're sitting in the opera house; We're waiting for the curtain to arise With wonders for our eyes, A feeling of expectancy, A certain kind of ecstasy, Expectancy and ecstasy....Sh's's's.
- Charles Ives
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