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From:  sopran@a...
sopran@a...
Date:  Tue Mar 27, 2001  3:30 pm
Subject:  Re: [vocalist] Mozart in falsetto/ how styles change (was: grumpy mozartians)



In a message dated 3/26/01 7:23:45 PM, lloyd.hanson@n... writes:

<< Even castrati were expected to sing with a
penetrating ring to the voice that women singers of that day could
only envy. >>

Lloyd,

There you go again, in an otherwise excellent post, saying that there were no
female singers with ringing voices at the time of the castrati. There's no
reason to believe that this is true--so why do you keep repeating this sexist
notion?

The evidence that I've read states very clearly that women singers of the
time were highly skilled technicians and artists who held their own on the
operatic stage alongside the castrati.

They may not have produced the same extraordinary volume or long breath, but
without the castrati's unnaturally enlarged chest cavity, neither could the
ungelded males of the day.

Judy


Greypins@a...sopran@a...sopran@a...Greypins@a...dorisopran@a...sopran@a...
  Replies Name/Email Yahoo! ID Date Size
10652 Re: Mozart in falsetto/ how styles change (was: g Greypins@a...   Tue  3/27/2001   3 KB
10667 Castrati Rib Cages WAS:Mozart in falsetto/ how st Tako Oda   Tue  3/27/2001   2 KB
10658 Re: Mozart in falsetto/ how styles change (was: g sopran@a...   Tue  3/27/2001   2 KB
10661 Re: Mozart in falsetto/ how styles change (was: g sopran@a...   Tue  3/27/2001   2 KB
10663 Re: Mozart in falsetto/ how styles change (was: g Greypins@a...   Tue  3/27/2001   2 KB
10666 Re: Mozart in falsetto/ how styles change (was: g dorisopran@a...   Tue  3/27/2001   2 KB
10675 Re: Mozart in falsetto/ how styles change (was: g Lloyd W. Hanson   Tue  3/27/2001   3 KB
10685 Re: Mozart in falsetto/ how styles change (was: g sopran@a...   Wed  3/28/2001   2 KB
10688 Re: Mozart in falsetto/ how styles change (was: g Isabelle Bracamonte   Wed  3/28/2001   5 KB

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