Rossini: LA CENERENTOLA - Sextet in Act II Sc 2 ("Siete voi?") - SMATBB
Rossini: L'ITALIANA IN ALGERI - Septet in Act I Sc 4 ("Confusi e stupidi") - SAATBrBB
Bellini: I PURITANI - Quartet in Act I Sc 3 ("Se miro il suo candore") - SMTB
Mozart: IDOMENEO - Quartet (gorgeous!) in Act III Sc 1 ("Andro ramingo e solo") - SSS(or M)T
Mozart: COSI FAN TUTTE - Quintet in Act I Sc 2 ("Sento, o Dio") - SS(or M)TBrB
Mozart: COSI FAN TUTTE - Quintet in Act II Sc 4 (finale - "Idol mio")SSS(or M)TBr
Mozart: DON GIOVANNI - Quartet in Act I Sc 3 ("Non ti fidar") - SSTBr
Mozart: DON GIOVANNI - Sextet in Act II Sc 5 ("Ah, dov'e il perfido?" to end of opera) - SSSTBB
Verdi: FALSTAFF - Nonet (! great fun!) in Act I Sc 2 - actually, it *IS* Act I Sc 2 - ("Fulgida, Alice!") - SSMATTTBrB
Verdi: RIGOLETTO - Quartet in Act III ("Bella figlia dell'amore") - SATBr
von Flotow: MARTA - Quartet in Act II, Sc 1 ("Siam giunti, o giovinette") - SMTB
The others I can think of are all very "male heavy" - e.g., a few from Donizetti's DON PASQUALE, and the quartet from Rossini's IL BARBIERE DI SIVIGLIA. Let me know if you want these too.
Karen ===== My NEIL SHICOFF Website: http://www.radix.net/~dalila/shicoff/shicoff.html
My Website: http://www.radix.net/~dalila/index.html
----- We're sitting in the opera house; We're waiting for the curtain to arise With wonders for our eyes, A feeling of expectancy, A certain kind of ecstasy, Expectancy and ecstasy....Sh's's's.
- Charles Ives
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