Many of you have reported a difficulty using both falsetto and head
voice in the same range. I find this analogous to being unable to
ride a bicycle on a certain street after learning how to drive a car
down that street. The reports bear the irrelevant subject "David
Daniels speaks on the CT voice". I initially sent the post below with
the subject "Changing mechanisms", as I found that the thread had no
longer anything to do with David Daniels. I suspect that my post was
missed by many of you as a result, so here it is again:
>I would suggest that to improve one's singing one sing simple phrases
>alternating between falsetto and head voice (or whatever you want to
>call them!). If you find that you can't do it, then shorten the
>phrase, maybe to a single note. Surely there is a single note for
>which you have a choice between mechanisms. Sing the single note
>simply and easily, without ambition. As the alternation becomes
>easier, start to increase the length of the phrase one note at a
>time. By doing thie experimentation I suspect that you will improve
>your use of both mechanisms as you reduce the compulsiveness of their
>use.
I would alter "length of the phrase" to "range of the phrase".
I look forward to reading about the experience of anyone who does the
experimentation I suggest.
Good luck,
John Link
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